Mogambo; miss hua..

It has been 5 years since Hindi Film industry’s foremost villain, Amrish Puri left for the heavenly abode of Dongrila and Hindi films have never been the same again. He was the last ‘villain’ of Hindi movies and great one, by par. In these few years, his absence has been acutely felt by viewers of Hindi movies. The hero no more seems as heroic as he did in the past, simply because there is no villain who can tower over him. He was the epitome of villainy, who merely by his presence on-screen could repulse you or send a shiver down your spine. To be honest, he was the last of the great school of villains, that went long time into the past, having illustrious names like Pran, KN Singh, Kanhaiyalaal, Madan Puri, Amjad Khan, etc.

Let me illustrate this point with a personal example, sometime back while watching the film Ghazini, I realised the importance of a good villain in a film. Somehow, I could not sympathise with the character played by Aamir Khan, simply because the ‘bad guy’ did not seem to be menacing enough. He was bad alright, killing or maiming people like any other villains are expected to. But he was not evil, he was not sinister, he was not wicked. And therefore, the protagonist did not seem to be valiant and gallant. Now, imagine Amrish Puri in the role of Ghazini, the main villain and the contours change completely. Almost instinctively, you start to sympathise with hero even before the film starts that was the power of Amrish Puri.

The reason is fairly simple, unlike the West that tends to see the world in grey and color; we are brought up to see everything in Black and White. So, if it is not good, then it has to be bad, if not punya then paap. Even humans are bracketed into these slots, so if you are not a suputra (or suputri for that matter), you are definitely a kuputra (kuputri similarly). Our allegiance to the good is equally matched by our ambivalence of bad. And so we happily exist in this two-dimensional universe. Continue reading