Meet the Breakfast Annas of Mumbai

Mornings are an altogether different thing in Mumbai. Unlike the “subehe Kashi” (morning in Kashi), where mornings are king of romantic and melodious, in the urban sprawl of Mumbai it is anything but that. With scores and scores of Mumbaikars (good tens on the roads and on the run, there is no respite, calmness or freshness to be sought in the morning. Sanity is dependent on precise minutes like 8:15 F, or 8:47 S. Omens, good IMG_20150813_084041or bad, are all about whether you were able to find a seating place in the train. Chivalries and niceties are easily dumped, when you need to jump a queue and duck into a share auto, even before the lady, who has been patiently standing there for well over 10 minutes. Thus, mornings in Mumbai are chaos supreme, with blood pressures soaring and people zipping from one point to another.

In the very midst of this madness, there are little oasis of peace and tranquility that abound across the city. And the best thing is that these oases are mobile and agile, travelling along on the back on a bicycle. These are the Breakfast Annas of Mumbai that feed a huge population on the run.

Across the city, from early morning you will find these magical men with their bicycles feeding a population that is constantly on the run. At vantage points you will find them, Picture_000001with their meduvadas and idlis (at times even plain dosa). Quickly consumable and awesomely cheap, these Breakfast Annas are an essential part of Mumbai life. People waiting for a bus or a rickshaw, will quickly converge at these anna-spots and savour the goodies. For 10 bucks a plate, you can wallop down 3 small meduwadas or idlis and continue on. These annas are like small pit-stops for the people to come and charge self before rejoining the rush to work.

One of the things that truly amazed me over the years was the apparent standardised fare that is similar across the city. The idlis, the vadas, the sambar, and even the chatni taste almost the same all across. You move from one area to another, and yet the taste more or less remains the same. It took some investigation and journalistic prodding that I discovered the reason. Typically, the annas seem like householders, who are retailing homemade fare. But then, nothing could really be further from the truth. All the food stuff is actually mass-produced on a factory scale at different designated areas like Dharavi and thereon. The Breakfast Anna are merely retailers, who buy a designated quota everyday and cart it all over the place. This in short, is the reason for the uniformity. These annas are not the creators but merely smart vendors of the fast-food fare. Continue reading

Abstracting with new Tapestry

“Why should there be any purpose at all, can you not enjoy the canvases for what they are, rather than what they represent,” said a rather chaffed looking Gajanan Kabade. I had decided to pay a visit to his exhibition at the prestigious Jehangir Art Gallery. His show, titled Tapestry, was a representation of artworks that were all dabbed in myriad hues. The unique thing about Gajanan’s work is his use of the ever-common, ever-ubiquitous cello tape. By using overlapping tapes, and paints, he creates a pattern that is much pleasant to the eye, even though it represents nothing. And that was precisely what he wanted to IMG_20150810_190229_HDRconvey to me, when I asked him to explain the “logic”, the “meaning”, of his artworks. “Why can’t you accept and enjoy the abstract for what they are, without trying to place them in a context?” Gaja asked me, though it seemed more like an advice or a complain.

Honestly, this was the second time in my life I had come across such a scenario, where my creative mind struggled to comprehend the abstract. It was some 15 years ago, when one evening a rather generous editor of Free Press Journal, called into his cabin a rookie reporter with long tresses and passed on him an invite to an exhibition of paintings by the celebrated Jehangir Sabavala at the Jehangir Art Gallery. “It will be very interesting for you boy,” said Gonsalves gesticulating with his hand on which was adorned a tribal band of various hues. And so, thinking it to be an arty soirée where costly wine will flow along with crusty croissants, I merrily landed at the Gallery. This was to be my big debut in the esoteric world of art. My brief encounter with the octogenarian artist did not really turn out to be a charm, as the moustachioed man possibly expected a more knowledgeable bloke from FPJ, not a greenhorn like me. Nonetheless, I did not let such incongruities distract me from the task at hand, and after badgering the artist with some terribly mundane queries, in response to which he merely muffled a grumble, I got to the task at hand. Also the fact that there were no waiters carrying platters of veggie snacks, nor was there the associated tingle of half-filled glasses, seemed to nudge to do something worthwhile, something which not many journalists are not known to do.

I looked along the room, it was full of those high-society peoples, you know ladies in clinging shiny chiffons, and bearded men in silk kurtas. There was much chatter all around, and the grandfatherly artist moved in the Gallery like a matador who had just killed a bull. Now and then you could discern a sudden explosion of an orgasmic sigh that went like “ohhhhhhh…” It would invariably be followed by silence and then there would be a few more sighs and then silence again. Steadily, the whole room was filled with such orgasmating creatures, especially the female types. Was frankly bewildered at such sighs, being a young lad with much interest in the birds and bees, these “oohhhs” and “ahhhhs” were pretty distracting. Continue reading